SONG OF THE DAY: Quintino & MOTi ft Taylr Renee – “Dynamite”

Here’s a track that lives up to its name.? “Dynamite,” the new track from rising Dutch stars Quintino & MOTi with Taylr Renee, is explosive, blending old school rave techno with electro- and a bit of raunchy fun.? The stop/start phrasing of the siren hook amplifies the energy, bringing back the vibe of Afrojack’s earliest work with the harder techno edge that is in vogue right now.? Just as Ke$ha has her trademark talk/sing sound, singer Taylr Renee is establishing her own scream/sing style, which while similar to Luciana and Kay has a distinctive edge that is uniquely her.? Recent collaborations with Sick Individuals & Axwell, Tom Swoon, and Schoolboy & James Egbert show that she is one will be hearing a lot from.? “Dynamite” is such a massive record that when a crowd hears “Boom Goes the Dynamite,” their reaction will be just that.

Image Courtesy of Spinnin.

Notable Dance Podcast #026

Audio Jacker – I Need You
Mike Mago – The Show (Vocal)
Mark Knight & D Ramirez v Underworld – Downpipe
Plastik Funk – Need Somebody
DJ Dan & Groovebox – HalfStepping
Doorly ft Soraya Vivian – Rush (Original)
Stanton Warriors – Cut Me Up
Quintino & Moti ft Taylr Renee – Dynamite
Zomboy – Bad Intentions
Ayah Marar – Beg Borrow Steal (Looney B)
Kid Massive, WeSmile & Databoy – Daylight
Tydi ft Kerli – Somehting About You
Rivaz – #1 Colors
Don Diablo & Matt Nash ft Noonie Bao – Starlight (LX Tronix)
Walden – First Day

SONG OF THE DAY: NiRe AllDai – “Hella Bad”

The first time I heard NiRe Alldai’s debut single “Inside Out,” I was struck by her unique voice – soft and soothing, yet raspy with a subtle power. The vocal hooks were quite strong, and with the club kids-going-Mad Max-themed video, it seemed like a surefire hit. Whereas “Inside Out” was a bit downbeat in tone, her new single “Hella Bad” is much more in your face and aggressive. The track seems like a cross between Swedish House Mafia and ’90s euro (the good stuff, like Culture Beat’s lost classic ‘Metamorphosis’ album, and not the cheesy formulaic kind). Nire’s vocals are more aggressive and punchy, yet still have her unique soft timbre in place. The song will hopefully find its place on commercial radio with its message of female empowerment, demanding respect from a lazy lover. If the song doesn’t hit you immediately, give it a few more listens. You will eventually realize that “Hella Bad” is actually hella good.


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