INTERVIEW: Cash Cash (2013)

From rock band to EDM trio, the story of Cash Cash is quite interesting.??Originally a power pop foursome, the band toured with everyone from Cobra Starship to Kevin Rudolf and was even part of the Vans Warped Tour.?As their tastes went more electronic and they started doing more remixes for other artists, their own releases followed suit.??Two buzz records on Spinnin, including the infamous ?Michael Jackson? tribute track, along with their remixes, really increased their presence in the EDM world.??Now signed to Big Beat records with a single ?Take Me Home? exploding on radio, the Jersey boys are definitely ones to watch.

Ron Slomowicz: You guys were originally a rock band, how did you make the move to dance music?
Jean Paul (Cash Cash): It was a slow process, but we were always putting electronic elements into our music. We had keyboards, electronic drums, and we were doing remixes during that time for other artists. We were always in touch with that side of it and we slowly went over to dance music. Eventually we dropped the guitars and it was more keyboard-heavy and from there we dropped the drums and parted ways with our drummer. We just started bangin’ the beats and then we were doing remixes and DJing. It all started to make sense in conjunction with some stuff that we were doing with Spinnin? Records overseas. It worked well, so we’re bringing it back here to the states. We just signed with Big Beat Records of Atlantic and we are doing a whole new thing with them.

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SONG OF THE DAY: Funkerman ft I-Candy – “Wine & Roll”

When we last heard from Funkerman, he was reinventing ’70s disco (“Push Em Up”) and updating an ’80s classic (“White Horse”). For his new EP ‘Wine & Roll,’ there isn’t a single decade in effect as Funkerman is mixing ’70s, ’80s, ’90s, ’00s, and ’10s together in a pot, scrambling it up, and creating a sound that is both familiar and completely whacked-out. Take that as an endorsement and as a challenge. Listen to the track and try to trainspot each element and you will be at your wits end with the way each sound is tweaked just enough to give it an oddly modern retro feel. In just the span of a minute, there are ’90s Daft Punk-esque robot voices, plodding old school underground house beats, glitchy effects, a phat disco bassline, and an ambient passage all behind a ragga vocal that would work on a modern Diplo track. Yet, with all these contrasting elements it doesn’t come off as an esoteric leftfield EDM snob record but as a universal party jam (if simply because there is something in there that everyone will hear that sparks a memory). Remixing this track was going to yield random results – so Peter Horrevorts did it as an ’80s electro track that should have been on the current Daft Punk album and Keljet decided to make it sound like what would have happened if the Visnadi brothers (Living Joy/Alex Party) would have remixed Madonna’s “Secret” instead of Junior Vasquez. Yes, this review is a little bit disjointed, but that’s the kind of the point. Funkerman is making some of the most creative tracks spanning all the genres of dance music. Take a listen to “Wine & Roll” and see what I mean.

Image Courtesy of Can You Feel It

Notable Dance Podcast #024

Empire of the Sun – DNA (Alex Metric)
Tensnake ft Fiora – See Right Through
Bondax – Giving It All (Friend Within)
Devoluton – Admire
Cold Blank – Louder than Bombs (Chrizz Luvly)
HIIO & John Dish – Rock & Roll (Original)
John Dahlback – Amedei
Foxes – Youth (Danny Howard)
Chase & Status ft Moko – Count on Me (Original)
2 Unlimited – Get Ready (Steve Aoki)
Dehasse – Carnival De San Rafael
Sean & Bobo – CS (original)
Henrik B, Niklas Gustavsson, Peter Johansson – Echoes
Gabriel & Dresden ft Neil Ormandy – Tomorrow Comes
Ghost Beach – Miracle (Nathan C)
Stonebridge and Caroline Damore – Live Life