SONG OF THE DAY: Steve Forest & Nicola Fasano – “Apocalypse”

DJ/Producers often get boxed into one sound.? Italian producers/Jolly Rogers label heads Steve Forest and Nicola Fasano have become known for their festive sound of modern tribal beats and energetic electro fused into club-rocking party anthems. Collaborations with Pitbull (their track “75 Brasil Street” became the infamous “I Know You Want Me (Calle Ocho)”) and Kat Deluna launched them onto international dance floors.? A recent track with Crystal Waters, “Love I Call My Own,” signaled a transition to a darker, more progressive vibe.? As a full-on dark electro progressive stomper, their new track “Apocalypse” continues this direction.? Starting off with an eerily dark keyboard, it sounds more like a deadmau5 composition than something you would expect from the Italian party boys. The crescendo heading into intense rave-like electro is unexpected and introduces the effected-robot voice which seems to be repeating “Wait.” The track has a cold feeling, like really dark techno, yet is energetic enough that when programmed in the right set would be deeply effective on a big room floor. It’s always great to see musicians explore new directions so it will be interesting to what this new darker vibe of Forest and Fasano develops into.

Image Courtesy of Jolly Roger.

SONG OF THE DAY: Tyler Hampton – “The Knight”

EDM is all about change, that’s just academic.? Actually, Academik, the diverse progressive house label, is further expanding their range with this unparalleled release. I’ve written before about records that combine disparate elements for a composition that is greater than the sum of the parts.? “The Knight” takes it to the next level – rather than something different every 30 seconds – every 4 measures there seems to be a radical change in construction.? It’s as if someone forgot their dose of ADD medication, yet it works so well. What starts as a pretty, pumping old school-flavored house track, goes tribal, then raw, then noisy, then jittery, then proggy, then retro-Orb-ish, then big room electro, then spacey house before gradually grooving back into the original old school-flavored house track.? Peppered throughout are vocal samples ranging from eerie computerized voices to ones that sounds like they are sampled from a ’70s Doobie Brothers record.? If this track was spread out into an hour-long DJ set, it would no doubt win acclaim as one of the best journey mixed CDs ever. Compressed into under seven minutes, the kinetic randomness verges on manic madness, yet is so well-blended that it’s a must-listen for any lover of EDM looking to be schooled.? Arcader’s funky techno remix is a little less manic, yet keeps many of the original elements in place.? To put it in fashion terms, the original mix is like haute couture, absolutely gorgeous in its detail but probably inaccessible to the average person.? Arcader’s remix is the ready-to-wear version with the same vibe, but much easier for punters to grasp onto.

The track is available exclusively available on Beatport.

Image Courtesy of Academik.

SONG OF THE DAY: Ashley Wallbridge ft Fynn Farrell – “Chase The Night (Original Mix)”

Upon first listening to “Chase the Night,” the voice of Fynn Farrell was instantly recognizable- but for the life of me I couldn’t place why.? A quick YouTube search found the amazing country gospel version of “Born This Way” he did, which I was obsessed with for a good period of time last year.? While not sure how the paths of the two Brits crossed, the results are quite spectacular.? Ashley’s production blends pretty elements of progressive, stadium house, and synth pop for a track that is moody, yet energetic, at the same time. Fynn’s distinct soulful voice resonates a retro vibe making him sound like the offspring of Sting and Howard Jones. Pairing the two makes “Chase the Night” a track perfect for closing out a memorable DJ set or a pick me up for your personal mp3 playlist.

Image Courtesy of AVA Recordings.