SONG OF THE DAY: Krewella – “Alive”?

When I last wrote about Krewella, I described them as your “newest dubstep obsession” but have since realized they are so much more.? Seeing the trio in Atlantic City performing a set combining tracks, live vocals, effects, and more,? they literally pumped the crowd up to a new level. ? It was to the point that even the most stodgy industry people finally got why all the kids were into dubstep.? The thing is, their music is not just dubstep, but a sampling of several EDM subgenres – electro, dubstep, glitch, and stadium.? Their new single, “Alive,” is a mix of europop and stadium house that is accessible without being cheesy.? That’s an amazing accomplishment, especially since it sounds like they are recreating the infamous Cappella hook from the ’90s (which was originally “inspired” by Siouxsie and the Banshees “Happy House”). ? The vocals are quite strong and the solid production is hooky, with an energetic chorus that will get any dance floor jumping up and down. The remix package is quite impressive, with not a single weak one in the pack.? Dubstep lovers will go for the Pegboard Nerds and Mitis remixes.? Moore’s big room mix has a touch of the ’90s retro rave sound. ? Jakob Liedholm’s take has some cool filtering effects layered over the stadium groove, while the Cash Cash & Kalkutta is an all out energetic monster.? When a song is this good, you just can’t do a bad mix.


Image Courtesy of Columbia Recordings.

SONG OF THE DAY: Joshua Micah – “When the World Ends”

Since you’re reading this, the world obviously didn’t end on December 21st.? But what if the world was going to end, what would you want to do differently? ? That’s the question answered by singer/songwriter Joshua Micah in his debut single “When the World Ends.”? Sounding like a cross between singers Gabe Saporta (Cobra Starship) and Sean Foreman (3OH!3), he asks and answers questions about what will happen as we embrace our fate over an upbeat electropop beat with a slight touch of stadium house in the mix.? The repeated refrains are quite catchy, as is the “woh oh” chant used in the chorus. ? For clubland, remixes by Sted-E & Hybrid Heights and Matteo Marini toughen the beat and increase the energy while keeping the remarkably strong vocals in the forefront.? Turning a negative into a positive, the video shows Joshua walking around the world (Barcelona, New York) as people hold up placards with slogans and concepts one could do to improve their existence. ?It was interesting to watch people’s reactions when I first played the clip at the video bar, since it caught their attention as they were drawn into the song and the story.? With such a strong debut single, Joshua Micah is definitely an artist to watch out for.


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INTERVIEW: Shannon (2012)

Shannon is often credited as having creating the freestyle sound. Her signature record “Let the Music Play” is the genre-defining classic which continues to be a massive club anthem to this day.? If you look around online, there are many conflicting stories about how the song came to be. At the Promo Only Summer Session in Atlantic City, I chatted with the legendary Shannon and got the real story.? Watch for a special 30th Anniversary “Let the Music Play” tour next year, along with long-awaited new material from the legendary Shannon.

Ron Slomowicz: You started as a jazz singer, how did you make it from jazz into dance music?

Shannon: Someone was looking for a singer and had a particular style in mind; I guess I fit the bill. The producers were looking for a singer because ?Let The Music Play? was a rap song and they had put a basic melody to it. When I came, I had a unique style because of the jazz, it was very sultry and yet I could really belt it. I have a pretty loud voice when I belt, I was belting out the notes and adding little additions to the song. They loved it and said I was their girl.
Continue reading INTERVIEW: Shannon (2012)