SONGS OF THE DAY: Funkagenda vs Sultan + Ned Shepard – Astana and Funkagenda – One Day At A Time

During the Winter Music Conference, a question I asked a few people was ‘how do you come up with the name for a track with no lyrics?’ The response was often that titles are inspired by the emotion or meaning of the track. When you listen to two recent releases by British producer Funkagenda, that makes perfect since. Collaborating with duo Sultan and Ned Shepard, the result is Astana – a mix of big room electro with tribal overtones that leads to an almost spiritual, progressive melody in the break. The melodic tones are deeper and feel much more full than other similar tracks in this genre. Named ‘Astana,’ which is the capital city of Kazakhstan, the translation of the word is ‘portal,’ as if the track is a portal into the world of progressive – leading listeners and clubbers back to what is true progressive and not the commercial hybrids that have been saturating the scene over the past few years. While not a completely new track, the original was released back in 2011, the new MainStage Mix feels of the moment and like a track that will be big for the upcoming summer festival season. Funkagenda’s forthcoming track “One Day At A Time” is a hauntingly beautiful and uplifting progressive track. Though the vibe is chilled, there is an emotional movement that feels almost like a spiritual catharsis. The title is most likely a reference to the famous prayer for positive living by Reinhold Niebur adopted by Alcoholics Anonymous and other recovery groups. Although it doesn’t necessarily need lyrics to get the message across, a topline emphasizing the message would be a welcome change (and response) to the overabundance of negative messages often espoused in EDM tracks (i.e. “Wasted”).

Images courtesy of Harem and Trice Recordings.

SONG OF THE DAY: Kalsi & Applejack ft Tina Cousins – Screams

Dance music is truly international. Last July, Finnish duo Kalsi & Applejack mixed 80s new wave, 90s synth pop and modern electro to create the track “Screams.” They knew they had something special so they enlisted the talents of Swedish songwriter Herbie Crichlow who wrote major hits for Backstreet Boys, Robyn, and Super Junior to write the top line. Together they brought in British vocalist Tina Cousins, known for “Pray,” “Killing Time,” “Mysterious Times (with Sash)” and “Curious (with 4 Strings)” whose pretty yet powerful performance matches the creative energy of the track. The resultant song “Screams” has already hit #2 on the iTunes chart in Finland and I suspect that it will work its way around Europe rather quickly.

Image Courtesy of Space Mix.

SONG OF THE DAY: Therese – Remedy

Best known for the classic dance anthem “Put ’em High” with Stonebridge, Swedish singer Therese has built a large following for her music (“Time,” “Feelin Me,” “Drop It Like It’s Hot”) and her equally exuberant live performances. After a short break from clubland, she has reemerged – launching her own label Vixon Records with the new single “Remedy.” The playful-yet-seductive lyrics combined with her multitone vocals make this feel like a lead single to a Kyle Minogue album (yes, it is that good). So it doesn’t come as a surprise that it hit the top 10 when it was originally released a few years ago. The new extended mix is of the moment dance pop, slickly produced with many layers that will work in any commercial club (and of course on dance radio). If there was an award given for diverse remix packages, “Remedy” would easily be in the running for best of the year. Of course, there are the quality big room electro and stadium house mixes that you would expect, with Papercha$er adding a catchy hook reminiscent of “Istanbul (Not Constantinople)” and Adam Turner giving the Avicii-esque subgenre a fresh feel. Fellow Swede Zoo Brazil uses just a vocal syllable and constructs a chilled-out tribal dub that inspires poolside grooving. Dank fuses trap and electro in a way that sounds fresh and elevates both elements. Haji & Sheldon probably remixed this around the same time they were working on their massive progressive buzz record “Inception” as there are similar elements executed differently in both. Most importantly, Therese sounds good on every remix, whether with full vocal or dubbed-out, so don’t be surprised if you hear “Remedy” in the clubs for months to come.

Image Courtesy of Vixon Records.