INTERVIEW: CLMD (2013)

Norwegian duo Carl Louis and Marin Danielle, better known as CLMD, has been rising in popularity.? Their original tracks (“Falling Like Angels,” “Black Eyes and Blue”), remixes (Norman Doray, Gus Gus, Max Vangeli), and white labels (“Turn the Music Up”) have been getting love and support from DJs around the world.? A distribution deal for their Up North imprint through Sony gives them the freedom to release music when they want all over the world.? Their recent release, the gorgeous and progressive “The Stockholm Syndrome,” is just a sign of what’s to come from the talented duo.

Ron Slomowicz: So Carl, where do you keep all your medals?
Carl Louis: Haha, in the fridge.
Continue reading INTERVIEW: CLMD (2013)

SONG OF THE DAY (SUNDAY FUNDAY): Leah Labelle – “Lolita”

Canadian-born American Idol contestant (from Season 3, back in 2003) Leah Labelle has followed an interesting path.? Her cover videos on YouTube led to gigs singing backup for Keri Hilson, Jordin Sparks, and Eric Benet- and eventually attention from industry heavyweights LA Reid, Jermaine Dupri, and Pharrell Williams. The debut single “Sexify” had her lined up to be a male Robin Thicke, offering funky and mature R&B pop songs with an adult theme.? A year later comes the new single “Lolita,” with a sped up disco-vibe backing her sultry seductive vocals.? You can definitely feel a Pharrell vibe as the song is eerily similar to Daft Punk’s current hit “Get Lucky.”? An impressive remix package featuring Chris Cox, Sick Individuals, and Sidney Samson take the song in electro and tribal directions- making the song dancefloor-friendly while keeping ‘the song’ the main focus.? The video makes it perfect for?Sunday?Funday because of the sheer WTF clash of images – think Nelly Furtado doing a Ke$ha video for Logo and you get an idea.

Image Courtesy of?Epic.

SONG OF THE DAY: Kid Noize – “KDNZ EP”?

A guy wearing a monkey mask making ’90s-sounding electronic dance music.? Honestly, it took a few listens to convince me that this was a serious project and not just some spoof of Daft Punk thrown out there as a joke.? Could it be “Kid” Alex (aka Boyz “Noize”) having a laugh?? Was the debut track “Eisbaer” supposed to have a creepy Otto Von Wernherr vibe?? Listening to the EP, the music definitely fits the current ’90s flashback trend with “KDNZ” sounding like an 808 State/Daft Punk minimal/downbeat techno hybrid.? The spoken vocals of “Signs” beg the satire question, giving it a bit of an indulgent/out there Einsturzende Neubauten feel over ’90s techno beats and an oddly-fitting dubstep breakdown.? While this really isn’t music for dancing, it’s definitely an interesting listen and would be cool chillout music for Dieter from Sprockets’ afterparty.

Image Courtesy of Vertigo.