SONG OF THE DAY (SUNDAY FUNDAY): Nikki Williams – “Glowing”

There was a period of two months in the late ’90s when it seemed like every club record was about “Joy” – “Let the Joy Rise,” “This Joy,” “Unspeakable Joy, ” etc. The meme now seems to be “glowing,” first with Karishma’s infomercial-promoted “Glow in the Dark,” then tyDi and Kerli “Glow in the Dark” and Patrick Hagenaar and Mark Harley “You Got Me (Glowing in the Dark)”. Now Nikki Williams with “Glowing.” Her name might be familiar to you, as the South African-born singer/songwriter created a lot of buzz with her graphic and edgy debut single “Kill, Fuck, Marry” which has racked up over 700,000 views on Youtube. “Glowing” is Europop with an edge starting off quite pretty and ballad-like, building with a beat in the verse leading to the dirty electro sound of the chorus. It’s one of those rare songs that would sound right at home on the radio but is cool and edgy enough that the hipsters won’t be embarrassed to sing along to it.

Granted, it would be hard to sing it as well as Nikki does. Her enchanting, effortless voice increases in strength and power as the beats increase in intensity. As a DJ, I am of course looking for a club remix and the best I could find is one by DJ Steve Watt & Jukebox which sounds like a bootleg, a very well-done bootleg, but a white label nonetheless. Here’s hoping that the crew at Island give the record the official remix treatment. And since I’m asking for late holiday presents, let me request a solid remix of “Kill Fuck Marry” because it would slay dance floors as well. Then again, Nikki Williams has such a great voice that if she sang my grocery list over a catchy electronic beat, clubbers would go crazy for protein bars, eggs and milk.

Image Courtesy of Island/Def Jam.

SONG OF THE DAY: Chris Cox + DJ Frankie ft Crystal Waters – “Oh Mama Hey”

With the plethora of instrumental club tracks out there, a good chant can make the difference between “filler” and a “floorfiller.”? Constructed by legendary DJ/Producers Chris Cox (of Thunderpuss infamy) and DJ Frankie (nightlife impresario that brought clubland to Vegas with the launch of Studio 54),? “Oh Mama” was originally released in 2010. The “Oh Mama Hey” chant elevated the retrotribal-tinged electro track to secret weapon status and was deployed by those DJs in the know. ? Refreshed, revitalized, and re-produced for 2013, “Oh Mama Hey” now features a fresh vocal topline by diva-in-demand Crystal Waters, who of course is no stranger to a good chant, remember ‘la da dee, la da da?’ ?Her verse has a touch of the swing vibe, which probably rubbed off from her work with Yolanda Be Cool but dang it if the nonsense bits just don’t get caught in your head.? With a remix package featuring Stonebridge, Rosabel, Steven Redant, and Trent Cantrelle, as well as a music video forthcoming, “Oh Mama Hey” could be the floorfiller that heats up dance floors all winter long.

Image Courtesy of Tommy Boy.

INTERVIEW: Nicky Romero (2013)

Although he’s been producing tracks for a few years, 2012 has been the breakthrough year for Dutch DJ/Producer Nicky Romero.? His massive Beatport hit “Toulouse” was followed by collaborations with David Guetta, Fedde Le Grand, Calvin Harris, Zedd, and Nervo.? Coming in as the highest new entry on the DJ Mag list at #17 was another major accomplishment.? Chatting with Nicky at Amsterdam Dance Event, it’s easy to see why he is achieving all this success – not only is he musically talented, he is a genuinely friendly and passionate, as well as grateful for all of the support he receives.

DJ Ron Slomowicz: So you have had a good week haven’t you?
Nicky Romero: Yeah it?s been crazy, super crazy.

RS: Let?s retrace it, I first saw you at the Jimmy Woo party when you were back in the VIP area. Everyone attacked you and wanted to take a picture with you.
Nicky Romero: Yeah, it was crazy. I wasn’t expecting so many people to be there awaiting my Q&A. It?s insane and a little unreal that so many people want something.
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