SONG OF THE DAY (SUNDAY FUNDAY): George Vector ft Deborah Cox – “Remember Me (From the Ghetto)””

As a DJ and dance music lover, songs often have specific stories attached to it. In the mid-’90s, I got my start spinning clubs by doing afterhours venues – first at The Zone and then my long-term residency at eXceSs. There was a brilliant record on Mushroom Jazz back in the day by Blue Boy called “Remember Me,” which those under the influence would request as the “ging-ga-ging” song because of its distinctive vocal melisma. The underground record sampled Marlena Shaw singing “Woman of the Ghetto” from her ‘Live at Montreux” album, and the Deep Zone club mix was the one of choice. Fast forward fifteen years and last night I had a request for George Benson featuring Deborah Cox. Always seeking to please, I searched my hard drive and couldn’t find it, and a search of Beatport/iTunes brought up nothing. Running it by DJ friend Bit Error, he recognized it as George Vector. A few clicks at Beatport and the newly vocalized version of “Remember Me” was playing. Deborah Cox sounds amazing, no shock there, as the R&B/club/Broadway vocalist is one of the few who could do justice to Marlena Shaw’s performance. George’s production is solid house with a bit of stadium influence and additional remixes by Adam Rickfors and Daniel Beasley & Jeremy Juno will fit progressive and electro sets. The only thing missing is the infamous Karen Finley sample from “Tales of Taboo,” though it’s doubtful anyone but the most hardcore of househeads will feel that that is a dealbreaker for a jam like this. Originally released in November, it’s a record worth digging up to add a bit of social justice (or strong diva vocals) to your Sunday Funday.

Image courtesy of Pope records.

SONG OF THE DAY: DJ Rap – “Satisfied”

First gaining success in the jungle/drum & bass scene, DJ Rap has evolved into one of the few DJ/producers who can cross effortlessly between many EDM genres – house, trance, progressive, drum & bass, dubstep…? It’s only fitting that she maintains two labels – Propa Talent for drum and bass/dubstep, and Impropa Talent for house and electro.? For her new single “Satisfied,” she embraces her inner Kate Bush and effortlessly coos lyrics about her personal journey. What makes the track unique is the dynamic soundclash between her soft pretty vocals and hard aggressive beats.? True to her multigenre appeal, a variety of mixes- from AudioBender, Ridone, Neurologix, SupaDeckStars, YeahILikeThat, and DJ Rap herself cover all the bases nicely, whether you like old school house, aggressive dubstep, modern electro, or drum and bass – there is a mix that will work for you.

The video, which is the first of a trilogy, features her playing piano, proving that she actually does make her own music. As a fan and a critic, I am conflicted by the hypersexualized and violent S&M imagery.? Yes, EDM videos often contain edgy content because it fits the nature of the music as something tied to the id, the night, and the space in which people relax their inhibitions and let their reptilian brains do the thinking. However, the violently-stuttered action in dubstep videos has quickly become so cliched that the meme has been satirized widely, even crossing over as the minor internet hit by Ylvis “Someone Like Me.”? On the other hand, the difference here is that as the artist and the label owner, DJ Rap chooses to present herself in this sexualized manner as her own artistic statement rather than being forced to do so by a profit-focused corporation. So hats off for exploring experimental and alternative sexual issues in the music video format, and we’ll see what this trilogy brings us.

Image Courtesy of Propa/Impropa Recordings.

SONG OF THE DAY: Lange – “Hold That Sucker Down”

If any producer could be considered the grandfather of stadium house, it would be Rollo Armstrong. Known for epic big room production as part of the remix/production team Rollo and Sister Bliss as well as a founding member of electronic supergroup Faithless, his experimentation with religious keyboards and epic sounds are the clear precursor to the current stadium house sound. As with the recent update of hard house classic “Joy Energizer,” it seems the right time to start reworking the Rollo classics. British DJ/producer dusts off the club/UK QAF classic “Hold That Sucker Down” by OT Quartet (the production team of Rollo and Rob Dougan) and wisely stays true to the original instrumentation, adding some modern electro sounds. Close your eyes and it’s 1994 again with those classic Rollo keyboards lifting you to euphoric heights. While it is quite straightforward, when the original is so masterful – moving away or distorting it would ruin the impact. The only minor quibble is the decision to not include the original version or at least do a separate vocal version, yet the “Hold That Sucker Down” track is so iconic and recognizable maybe the vocals aren’t so necessary (something the original’s vocal versions proved as well). This is one of those WTF tracks that instantly catches a dancer’s attention – they will either recognize it or hold up their phone to shazam it.

Image Courtesy of Lange Records.