Robin Gibb

By Jason Shawhan

It has been a difficult week for devotees of the disco.

With the passing of Robin Gibb this week after extended complications from cancer, you could say that there’s a lot less light shining down on dancefloors everywhere. That’s not to say that Gibb, along with his brothers Barry and Maurice, were exclusively dance/disco artists. They had a strong career going as singer/songwriters before disco could introduce its octave bassline and 4/4 kick-snare pattern to one another. But when impresario Robert Stigwood urged the brothers to try some disco on for size, their popularity exploded. You could hear it in “Nights on Broadway,” made before Saturday Night Fever made the Gibbs the most famous group on the planet. It was the sound of the 70s, itching to get out of its pants and into the pleasure centers of all listeners.

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REVIEW: Will Holland – ‘Digitally Enhanced Volume 5’

As a huge fan of trance and progressive house music, I have to admit that it is a joy when I come across a new source of music that had somehow escaped my notice before. Of course with that joy also comes a bit of shame knowing that somehow the?Digitally Enhanced?compilation series had somehow escaped my radar over the years. Don?t get me wrong, I have heard of Enhanced Recordings and the progress that Will Holland has made in providing some of the most consistent trance around, but for some reason his compilation series had been an enigma to me. Holland’s endeavors have not gone unnoticed, though, by many and over the past few years, fans of trance have been delighted with each release in the?Digitally Enhanced?compilations series. Fortunately for trance fans, the fifth volume of this series is now being released containing two discs of exclusive, unreleased material filled with progressive-minded and high-energy trance.

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Donna Summer

By: Jason Shawhan

If you were born in the seventies, you simply grew up listening to the sounds of Donna Summer. In clubs, in films, at public events, on the radio- she was the perfect storm of 70s liberation in musical form. That voice, from gospel roots and honed in musical theatre and big-belt bar room diva gigs throughout Europe. It was the perfect blend of church and roadhouse, and when introduced to the cosmic grooves of Giorgio Moroder and Pete Bellotte it launched the whole enterprise out of Munich and into the ears of the entire planet.
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